Rembrandt van Rijn (Dutch, 1606-1669), Christ in the Storm on the Sea of Galilee, 1633. Oil on canvas, 160 x 128 cm (63 x 50 3/8 in.). Isabella Stewart Gardner Museum, Boston (P21s24).
In Rembrandt’s only seascape painting, The Storm on the Sea in Galilee, the apostles are in the boat with Jesus, crossing the Sea of Galilee, as recounted in Mark 4. A violent storm has the boat near destruction, and the apostles scramble to wake Jesus, who rescues them by quieting the storm. A purely scientific approach to the painting would involve an analysis of the pigments in the paint, the canvas structure, the mathematical symmetry, and the type of brush. But science can’t tell you if the painting is beautiful or inspiring.
Science can tell you there are 14 people in the boat, but it can’t explain why there’s a fourteenth person when only 13 should be present (Jesus plus the 12 apostles). The fourteenth person in the boat is Rembrandt, who put himself into the painting. Rembrandt felt that to really grasp the significance of the salvation story, you must be in the boat—in complete desperation for your life—not observing from the safety of the shore. Ultimately, the painting is more beautiful and meaningful through multiple ways of knowing.